Nice piece in the National Trust's new Preservation Magazine, featuring Portland's Gerding Theater and other historic armories being converted to into new, green venues:
By Margaret Shakespeare
Once abandoned, the nation's historic armories are being rediscovered and restored.
By its 15th birthday in 2002, Portland Center Stage (PCS) in Oregon had grown up enough to merit its own theater. Long a tenant in the city’s performing arts center, the company was ready for a space with good acoustics, technical flexibility for scene changes, a stage that wouldn’t swallow intimate plays, unobstructed sightlines, and, oh, a central location.
“Our dream of having our own space got more serious” as PCS searched for a new artistic director, says longtime staff member Creon Thorne. “All the candidates said that [moving PCS forward] was not viable without our own space.” But in Portland’s small urban grid, suitable buildings—an old warehouse or an abandoned auditorium, for example—were scarcer than actors who avoid the spotlight.
That is, until the Romanesque Revival armory at the edge of the Pearl District landed in the theater company’s lap.
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As part of the rehabilitation, construction crews integrated seismic strengthening elements and added acoustic isolation so that even loud noises outside, such as sirens, could not be heard by audiences. “We were very constrained inside,” Brown says, “but ended up with not one ounce of unused space.” The necessary additional 30,000 square feet was created by excavating and finishing space below ground and adding a mezzanine as well as a new third floor on top of the existing structure. The completed armory incorporates a 600-seat main stage, a 200-seat studio stage, offices, and costume and rehearsal space, all within a historic facility retrofitted with state-of-the-art mechanical and energy management systems.
The design team did face some unexpected hurdles—particularly the integration of lighting systems. The U.S. Green Building Council awards LEED (Leadership in Energy and Environmental Design) points for natural lighting, but landmark-status restrictions didn’t permit the addition of windows in the original masonry walls. The only way to bring in natural light was through new skylights—a total of 42—in the barrel roof. “The Park Service said that wouldn’t be appropriate,” recalls Patrick Wilde, vice president at Gerding Edlen, who was project manager for the 24 months of construction. “We had to make several trips to the East Coast to Washington to explain how we would make them less impactful.” Changing those minds was “a big win for the project,” he says. READ MORE >>
via www.preservationnation.org
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