This is the first in a 3-part series from Cameron Tonkinwise, sharing learnings from a two-year project from the New School's Design for Social Innovation and Sustainability (DESIS) Lab. Amplifying Creative Communities, works to research, promote and amplify community-based solutions for sustainability.
By Cameron Tonkinwise
Compared to the first year of the Amplifying Creative Communities project, which took place in the Lower East Side, this second year's exhibition pays more attention to the stories of individuals who are fighting to materialize their innovations in Northwest Brooklyn (neighborhoods that include Greenpoint, Williamsburg and Bushwick). As Lara Penin, Assistant Professor of Transdisciplinary Design at Parsons the New School for Design and Co-curator of the exhibition and its workshops this November, notes, the narratives of heroically creative people, if you can find and capture them, are inspirational, and more appropriate to the United States' approach to social innovation.
What emerges from these stories is a rich picture of what it means to attempt change in dense urban contexts. They provide lessons for what a networked approach to social change demands, as opposed to Gillette's total designs and the competitive market's nondesigns:
There's not much room /
There's always space somewhere
There are lots of different kinds of cities, with different horizontal and vertical scales and densities, and within each of those cities are lots of different kinds of conditions. But in cities like New York, the number of people keen to be there means that nearly every square foot is programmed, usually with something expensive enough to deliver a growing return on investment to the owner. Further, what is there is invariably set in concrete, either literally, or, in the case of property rights, metaphorically. This means that urban change is difficult. Since there is no room to add onto the existing systems or structures, the task is one of 'unbuilding cities' (to use the nice title of a book), which is very difficult.
On the other hand, in a big city, there are often spaces that are neglected, either because the material is crumbling, or because they are between legal systems. These are often where motivated individuals site their experiments to change the city. This is the whole tradition of urban community gardens in New York City—that is where the Amplify Project began its research in the Lower East Side in 2010. In northwest Brooklyn, the waterways afford these kind of transition spaces: one story told in the Amplify exhibition is of an innovative photovoltaic system installer which operates from a series of boats set up as a co-working space by the marina owner interested in fostering the creative class.
via www.core77.com
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